Most musicians arrive at bars with a huge set of PA equipment because they don’t know what they’re walking into. Even when the bar has a PA, it’s often just a pile of cables sitting in the corner on top of a small mixer, and the bar staff know nothing about how to use it, leaving the band to do double duty — both playing music and running sound for the venue. That is a real disservice both to the musicians and to the venue’s customers, who have to put up with rough, poorly mixed sound.

At Prairie Dog Brewing, we have owners and team members with backgrounds in music recording and mixing, who dedicate their weekends to running the sound at our live shows and ensuring that bands sound their best, every time. These same people assist with setting up sound for stage events and trivia nights.

All music booking is managed by our team member Kelsey Judd, who you can reach by emailing music@bbq.beer. Please provide links to your EPK, Instagram, SoundCloud or YouTube channel, information about your typical expectations for pay, and options for band member configuration (ie. solo, duo, 3-peice etc). We regularly book 3 hour slots on Friday and Saturday nights starting at 7pm or 8pm.

Kelsey doesn’t just book artists, she also mixes sound for our musicians (separate mixes for the house sound and on-stage monitors), and she manages stage lighting during your performance. Please include information about any PA requirements you have. There’s no need to pay for your own sound mixer or to haul PA equipment to a gig at Prairie Dog Brewing, we appreciate you factoring this into your pricing (we still recommend you bring your own microphones). We are also happy to provide tabs to band members and their families in exchange for reduced fees. (-:

After 5 years of operating with inadequate facilities to support live music, we undertook a project in late 2023 with the help of a big supporter of Prairie Dog Brewing, Gerhard, who was crucial in making the stage a reality, as well as his wife Julie and several of his friends, like Paul and George, as well as Wade Topp of the band Suckerpunch, who all made big contributions of time and technical assistance. We placed sixty 8-foot by 3-foot handmade sound baffle panels around our space, cutting down the noisy reflections from the concrete/metal surfaces that dominate our brewpub. After sound baffles, we spent about a month constructing and installing our spacious stage and A/V systems.

The stage is large enough to support active, drum-driven bands of up to about 7 people comfortably, or tight-fitting jazz bands (with a mix of seated and standing members) of up to about 12 on stage.  With ample power, lighting, and sound baffling, as well as a highly capable PA system, which we talk about more below.

Above our stage is a prominent projector screen measuring 10 feet diagonally and over 6 feet tall, and several large televisions surround our bar. HDMI video input boxes located either at the stage or around our brewpub accept inputs from laptops and other video-emitting devices, and transmit them to receivers at the bar and the projector, so we can beam artists’ video either above the stage, above the bar, or to both locations at once. This comes in useful not just for bands, but for trivia nights, customer event bookings, and more.

About 15 feet in front of our stage is an aluminum rail hanging from the ceiling. We have several lighting units installed on that rail to light up performers and speakers on stage, as well as some portable lighting units, and can accommodate cameras.